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Designer Rebecca de Ravenel "always had a love affair with raffia, most things straw really, so it felt very natural to wrap this chair in a version of my most loved material."
Interior designer Ashley Hicks and Martina Mondadori created two Baroque inspired chairs, painting "faux marble intarsia in the wood backs, preserving the grain by staining them in coral red and sage green."
Interiors and style consultant Carlos
Mota creates a tension of feminine and masculine, modern and vintage, strong and sweet. "By painting the chair black, it becomes a bit modern and dramatic, and by using the mustard embroidery fabric, it becomes more feminine."
Artist and designer Luke Edward Hall's, painted chair features a classic Kent motif - the Vitruvian scroll. "I don't like things looking too neat or perfect, which is why I left the paintwork looking a little scruffy. I believe that might be the Bloomsbury influence!"
American Editor and writer Deborah Needleman's chair crafted of woven rush remarks, “I love the thought that the materials of this chair may go from growing in a river... to living amongst someone else’s things, wordlessly weaving itself into the fabric of their life."
"Lyric Chair, it's sung like a score, the libretto is the symbols of poetry, like notes in Chinese shadows from a Baroque opera. The Lyric Chair is ready to go on stage!" - Vincent Darré, Interior architect and designer
Will Cooper, Creative Director of ASH NYC, finds inspiration in historic references, "foremost the chair's faux tortoise application... and fabric and skirting silhouette, which are a nod to the textiles and upholstery techniques of 16th, 17th and 18th centuries."
